The final layers of varnish, plaster and wax mute the bright colors I started with on the recycled wood lengths (see last post), but still allow them to glow through the more opaque bits of glaze. I'm glad I made enough "raw materials" for more of these so i can work out a few things that occurred to me since its completion earlier this week.
Saturday, November 15, 2008
Ocean Abstract #3 for SD Coastkeeper
Here's a pic of the finished piece in its custom frame at The Frame Maker shop yesterday.
The final layers of varnish, plaster and wax mute the bright colors I started with on the recycled wood lengths (see last post), but still allow them to glow through the more opaque bits of glaze. I'm glad I made enough "raw materials" for more of these so i can work out a few things that occurred to me since its completion earlier this week.
The final layers of varnish, plaster and wax mute the bright colors I started with on the recycled wood lengths (see last post), but still allow them to glow through the more opaque bits of glaze. I'm glad I made enough "raw materials" for more of these so i can work out a few things that occurred to me since its completion earlier this week.
Labels:
custom art,
custom frame,
recycled materials,
SD Coastkeeper
Thursday, November 13, 2008
New Ocean Abstract for SD Coastkeeper
If you've looked at the fine art pages of my online portfolio, you may recall this piece, "Ocean Abstract #1".
Created from plasters, wax and other materials from arsenal as a faux finish artist. I've developed a few other paintings out of this ideas of industrial, textural materials and the endless horizon-line division and interplay between ocean and sky.
One of these pieces was inspired by a fit of shop cleaning and recycling of unused materials at The Frame Maker, San Diego's premier custom framer, where I am now the general manager. Faced with a bin full of old rippings and cutoffs from our custom molding and construction endeavors, I began to consider all the different surfaces, grains and sizes of maple, ash, pine and basswood assembled there, and how differently they would take color, varnish and polish.
The long strips spoke "horizon" to me, and the piece was under way, utilizing only waste materials from The Frame Maker, and leftover paints, varnishes and wax from my shop.
This seemed a logical choice to donate to the annual gala and fundraiser for the San Diego Coastkeeper chapter this weekend, given their mission of removal of manmade debris and repair of manmade damage to our beaches and coasts.
Here are some progress pix of "Ocean Abstract#3".
Created from plasters, wax and other materials from arsenal as a faux finish artist. I've developed a few other paintings out of this ideas of industrial, textural materials and the endless horizon-line division and interplay between ocean and sky.
One of these pieces was inspired by a fit of shop cleaning and recycling of unused materials at The Frame Maker, San Diego's premier custom framer, where I am now the general manager. Faced with a bin full of old rippings and cutoffs from our custom molding and construction endeavors, I began to consider all the different surfaces, grains and sizes of maple, ash, pine and basswood assembled there, and how differently they would take color, varnish and polish.
The long strips spoke "horizon" to me, and the piece was under way, utilizing only waste materials from The Frame Maker, and leftover paints, varnishes and wax from my shop.
This seemed a logical choice to donate to the annual gala and fundraiser for the San Diego Coastkeeper chapter this weekend, given their mission of removal of manmade debris and repair of manmade damage to our beaches and coasts.
Here are some progress pix of "Ocean Abstract#3".
Labels:
faux finish,
fine art,
ocean art,
San Diego Coastkeeper
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